Sound Layers and Sound Design Depth
The instrument has two layers, and each layer holds two sound engines, giving four fully customizable sound sources. Each source can use samples or synthesis, and details such as filter cutoff, sample mic position and envelope times can be adjusted.
Modulation is routed by click-and-drag, and multiple LFOs, function generators and keyboard controls can target almost every element of the instrument. Two stereo FX slots are available per layer, followed by Delay and Reverb on the master bus.
A 16-step polymetric arpeggiator can turn chords into melodies or a single note into a pulsing motif, which is useful for producers who do not play piano.






