Sound Shaping and Modulation in Delay ETERNITY
The feedback loop is where Delay ETERNITY gets its character. A bitcrusher and three filter options sit in the feedback path, so each repeat can be degraded or filtered as it recirculates. An input equalizer with lowpass, highpass and peak filters lets you shape the signal before it enters the delay.
Modulation is handled by two LFOs that can reach 26 possible dual destinations, and an envelope follower can use the incoming signal to modulate delay parameters. Repeat rates can be synced to the host tempo, and stereo tools control spatial width.
Delay ETERNITY also offers five delay modes, including single, ping pong, Pan, dual serial and dual parallel, plus three time modes called repitch, digital cut and digital fade.






