Sound Design and Morphing Workflow
The instrument is organized around four quadrants. Each one can hold its own sound, and an assignable XY pad controls how they mix. Combining quadrants is a practical way to build layered leads, evolving ambiences and floating textures.
Each layer offers independent sound-shaping options, including attack, release, offset, pitch and pan. Every quadrant also has its own arpeggiator and a filter with 39 built-in filter types. The Randomize function can generate new starting points when you need ideas quickly.






