Sound, Playing Styles and Effects in Nagoya Harp
The sample library was recorded with plectrum, bow, sticks, palm muting, hammer-ons and pull-offs, along with several una corda configurations and tunings. Multiple microphones were captured for each sample, including a Royer SF-24, Neumann U67 and Bruel & Kjaer 4006, and each one has its own level control.
The effects section includes convolution and algorithmic reverb, drive, chorus, phaser, delay and a 3-band EQ. These range from natural acoustic spaces to guitar-like tones and washed-out drones.






