Flanging and phasing modes for sound design
Flanger mode is based on ultra-short delays and can produce jet-plane swooshes or gritty comb-filter effects. Phaser mode offers up to 16 stages for fluid, bubbling phasing, from soft and gentle to thick and resonant. Feedback polarity can be flipped for rich or hollow flanging, and peaked or notched phasing.
Each of the three bands has its own LFO and Envelope Follower, so you can place a phaser on the low end and a flanger on the highs. Dry/wet mix is set per band, and a Master Mix control helps blend the processed signal with the source.






