Filter Modes and Modulation Options
The two filters can be set to 12, 24, 48 or 96 dB slopes, which gives you a wide range from gentle shaping to steep, aggressive cuts. Resonance width is adjustable, and the filter can run in bandpass or notch mode, the latter producing phaser-like movement.
Modulation comes from two tempo-synced LFOs with five shapes, one for the low band and one for the high band. Two envelope followers, each with a variable source frequency, respond to the audio itself. Several modulation sources can be linked to cutoff frequency, and every parameter can be automated from your host.






