Church Room Sounds and Real-Time Blending
The recordings were made with a series of microphones set along the central nave, producing two stereo room mixes. Sonora Cinematic describes one as warm and tight, drawn from the curved wooden roof area, and the other as larger and more organic, drawn from the older stone section of the building.
A modwheel crossfades between the two mixes in real time, so you can move from a focused sound to a wider, more open space within a single performance or automation lane.






