Multiband Dynamics with Upward and Downward Control
Each of the three bands has its own upward compression, which brings up quieter parts, and downward compression, which pushes down louder parts. Both are scalable from 0 to 200 percent, so you can move from subtle control to heavy squashing.
Threshold offset, downward ratio and makeup gain (-40 to +6 dB) are set per band, so the dynamics of each frequency range can be shaped independently. Global attack and release scaling lets you adjust timing for all bands at once.






