Passive EQ Sound and Character
Softube describes the Reference 1956 Equalizer as a model of a classic passive design. Because the cuts and boosts come from resistors, capacitors and chokes, the developer positions it as a tool for broad, musical tone shaping rather than surgical correction.
The Headroom control sits in the Extended Features panel. According to Softube, it exaggerates the thick low-end character associated with the transformers, giving you a way to push the bottom end further than the basic controls allow.






