Sound Design and Filter Options
V10F starts from two oscillator waveforms, sawtooth and square, and can add noise to the mix. Its two envelopes offer ADR, AD and AR modes, so you can shape short plucks as well as sustained leads and slowly evolving textures. Envelopes and the LFO can be triggered from the keyboard or by the LFO itself.
The filter section provides four main modes: 24 dB and 12 dB low-pass, band-pass and high-pass. An independent high-pass filter gives extra control over the low end. Envelope, LFO and audio-rate filter modulation can be combined for more complex timbres.
The SUB oscillator adds weight with octave adjustment, and it can be routed before or after the main filter.






