Sound Character and Layering
Each note can drive two individual layers, which helps when you want a bass and a lead, or a pad with a bright top layer, to share a single key. The 100 synth modes give a wide starting palette across the instrument.
A single-knob timbral control moves between bright and dark tones. The developer says the control engages new oscillators and changes several filter settings as you turn it, so one movement can shift the character of a sound noticeably.
The Finisher adds 90 modes of built-in multi-effect processing, aimed at the polished, wide sound typical of modern pop productions.






