DST multi-band distortion plugin interface by Future Audio

DST: Multi-Band Distortion Plugin by Future Audio

Rated 4.5/5 on Plugin Boutique (14 ratings)

DST is a multi-band distortion plugin from Future Audio that splits your sound into four bands, each with its own distortion control. It runs as a VST3 or AU plugin on Windows and macOS.

VST3AUWindowsmacOS64-bit

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01Overview

DST is a distortion effect from Future Audio that works across four separate frequency bands. Each band has its own input and output gain and frequency range controls, so you can distort the low end, mids or highs differently instead of treating the whole signal the same way. The plugin offers three distortion modes, which the developer describes as ranging from subtle to extreme. It is available in VST3 and AU formats for 64-bit hosts on Windows 7 and later or macOS 10.11 and later, with native Apple M1 support.

Best for

Multi-band distortion
Bass saturation
Synth grit and drive
Sound design distortion
Mix-bus coloration

Developer: Future Audio
Category: Distortion
Store: Plugin Boutique

02Key features

What you get

Four independent bands with individual control
Input and output gain for each band
Frequency range controls for each band
Three distortion modes from subtle to extreme
Built-in EQ section for shaping the output
Presets for quick starting points
3D user interface for editing
VST3 and AU formats, 64-bit only

03In depth

Four-Band Distortion Control

DST divides the signal into four bands that you can shape individually. Each band has input and output gain, plus frequency range controls to set where it operates. This makes it possible to drive a bass or a lead in one region while leaving other parts of the sound clean.

Because the bands are independent, DST works well for targeted saturation, such as adding grit to the midrange of a synth without pushing the sub frequencies into distortion.

Three Distortion Modes and Interface

DST includes three distortion algorithms. Resonance Sound would say the modes range from subtle to extreme, with each one producing a different character and tone. That gives you a range of options from light warmth to heavy, aggressive drive.

The interface uses a 3D layout, which the developer presents as a way to make editing and tweaking easier. Built-in presets are also included to help you start from a sound and adjust it.

04Specs