Exodus Chromaphone 3 Sound Bank: Cinematic Synth Presets

The presets lean toward moody, atmospheric textures. Applied Acoustics Systems describes them as peaceful, ethereal and powerful at times, and at other times unusual, unstable or unpredictable.

The developer says the sounds mix organic, acoustic and electronic sensibilities. That blend suits scoring and sound design work where a pad or drone needs to feel both human and synthetic.

Low-frequency content receives special attention, which gives the cinematic patches weight in the bottom end.

Macro controls are a central part of the bank. Each preset is designed so the macros can bring life and dynamism into the sound, which makes the patches useful for performance and automation rather than static listening.

Because the bank runs in Chromaphone 3, you can keep the same editing environment and modify the presets as you would any other Chromaphone patch.

The collection comes from Michel Basque, a composer and sound designer who has worked in film and TV scoring, multimedia electronic music and Ableton Live sound banks, and who has collaborated with AAS since 2019.