Sound Design: Layers, Morph and Global Tone
Each patch can combine four sound modules, so you can stack contrasting characters in a single instrument rather than running several plugins. The Morph controller is the main performance element. Moving it right brightens the sound and opens it up, while moving it left darkens it into hollow, moody textures. Because it is a single control, you can automate it to shape energy over the course of a track.
The Global Tone & Filter control shifts the overall frequency character of a patch with one knob, which is useful for moving quickly between low, underscored pads and brighter lead sounds.






